Monday, January 27, 2014

In a world...


Very cute little movie. Lake Bell wrote, directed and starred in it, great cast all around. Somehow I was never in any real fear for Bell's character, but it was still an compelling and funny narrative. Made me almost miss LA. This will make me pay more attention to the narrator during trailers. Speaking of which, watch this film's trailer here http://www.youtube.com/watch?v=NuxApRnekWc

rating:  4 out of 5 microphones





Tuesday, December 3, 2013

Pariser's Filter Bubble

            In The Filter Bubble, Eli Pariser explores how personalization on the Internet is surreptitiously altering what people read and how they think. He weaves together strands of technological data, media studies theory, political and journalistic history, psychological effects, and pop culture references into an intriguing argument. In their attempt to personalize everything, Internet entities (Google, Facebook, etc.) create a “filter bubble” that is actually stunting creativity and frustrating Democracy. In this book, Pariser attempts to push back against this trend of hyper-personalization and “burst” the filter bubble. Eli Pariser is an author, political and Internet activist, chief executive at Upworthy (a website devoted to “meaningful” web content), president of MoveOn.org (a progressive public policy activist group), and co-founder of Avaaz (a global civic organization).
            Pariser begins by diagnosing the problem he calls “the filter bubble”. In a competitive race for users’ clicks and advertisers’ dollars, Internet giants have begun catering every user’s activity around that user’s online preferences and habits. But because the filter bubble is solitary (it pulls us apart), invisible (we don’t know what algorithms are working where), and involuntary (automatic participation means you must opt out, not in), the whole filtering process is largely unnoticed and therefore particularly dangerous. The aggression and analytical ambition that fuel start-up companies do not magically disappear when those companies become Internet giants that “rule the world”. (181)
            The filter bubble commodifies user data and activity for sale to the highest bidder—typically advertisers who are keen on showing their products to interested parties. In its infancy, the Internet was celebrated for its disintermediating potential, but celebrants failed to predict how the absence of a middleman would affect content and attention. For example, in the realm of journalism, it is now much easier to go to an aggregated news site that collects stories from smaller sources, all of which are relevant to you, than to spend the effort clicking around those sources directly. However, “while personalization is changing our experience of news, it’s also changing the economics that determine what stories get produce.” (69) Thus, instead of reporting on important or worthy news, news agencies have a vested interest in publishing stories that are likely to garner lots of online attention.
            Internet giants are offering us more convenience, but “in exchange for convenience, you hand over some privacy and control to the machine.” (213) As technology continues to develop, even non-Internet corporations are figuring out new ways to pursue consumers. Whether creating their own media content or augmenting your “reality” to highlight their products, these companies are coming after us with more aggression and less transparency.
            Pariser describes the delicate cognitive balance that has historically been the driving force behind human creativity and ingenuity: our brains automatically “tread a tightrope between learning too much from the past and incorporating too much new information from the present.” (84) Thus, by measuring the novel and unknown against the established and known, we can integrate useful news ideas into the canon of human knowledge. Yet, the filter bubble removes the unknown from our horizon, which lessens the impetus (and possibility) to learn and innovate. “Left to their own devices, personalization filters serve up a kind of invisible autopropaganda, indoctrinating us with our own ideas, amplifying our desire for things that are familiar and leaving us oblivious to the dangers lurking in the dark territory of the unknown.” (15) Any cognitive dissonance or tension is flattened until a user’s Google self, Facebook self, Amazon self, etc. all become the same and any chance for serendipity or identity experimentation is nullified.
            The dangers of the filter bubble extend to the political sphere as well. As people are currently only being shown news on issues that are “relevant” to them, public issues that should be of at least marginal interest to everyone are ignored. Because the same symbol or event means different things to different people, a fragmented public is harder to lead. “Democracy requires citizens to see things from one another’s point of view, but instead we’re more and more enclosed in our own bubbles. Democracy requires a reliance on shared facts; instead, we’re being offered parallel but separate universes.” (5) Citizens must be willing and able to see beyond their own narrow self-interests, but the filter bubble makes this increasingly difficult.
            Pariser concludes with a few possible solutions to the filter bubble dilemma. Consumers can try to vary their online activity, breaking habitual website patronage, and choose transparent sites like Twitter over Facebook, which is notoriously murky about its privacy policies. Companies can do their part as well. By being more transparent, giving users the option to surf through relevant or novel material, they can break the over-personalization cycle. Furthermore, government can be more responsible about holding companies accountable (regarding their user’s control of privacy) instead of succumbing to their deluge of lobbyists.
            This book advances the understanding of Mass Communication in several ways. Primarily, Pariser is to be commended for bring to the public’s attention (this book is a NT Times bestseller) an issue that is universally important. This affects all of us[1], in almost every area of our lives, and whether or not you agree with Pariser’s diagnosis, the issue certainly warrants discussion. Furthermore, this book encourages people to be more conscious about what media they consume, from the mundane websites we check every day to why we vote the way we do. Few areas of electronic activity are unaffected by Pariser’s argument.
Overall, The Filter Bubble is largely successful in communicating its message, but there are some failings. Pariser neglects to acknowledge the fact that most of the entities he is criticizing (Google, Facebook, etc.) do offer users the option to turn off personalization and return pure results. It’s simply that the default settings of the programs are geared towards personalization. True, most users may never change (or even be aware of) the ability to turn these settings on or off, but the possibility bears mention.
Pariser’s argument also runs the possibility of turning on itself. Through personalization, Facebook and Google indirectly control our online experiences, so Pariser’s solution is that they should expose us to content we don’t want. This would, in fact, put then in direct control. But who decides what is important for everyone? Do we really want Google and Facebook determining what is important for us?
Furthermore, what incentives would companies have to sell their products online if they aren’t going to reach relevant customers? Pariser decries Cass Sunstein’s Republic.com for advocating a naïve “fairness doctrine” (where companies willingly sacrifice profits for a more Marxist Internet structure), but then advocates a similar set of solutions. Will companies ever spend resources on something that doesn’t contribute—and might even be detrimental—to their bottom line?
It is difficult to tell if Pariser resorts to hyperbole in order to scare the reader into agreeing with him. According to Pariser, RFID chips, ambient intelligence, DNA, and behavioral data make it possible to “run statistical regression analysis on an entire society.” (199) Whether this dystopian vision of a techno-society is a plegitimate threat or not remains to be seen, but at least Pariser’s experience in political and Internet activism make it credible enough to consider.
Pariser’s argument is strengthened with some brilliant ideas. The notion of a falsifiability algorithm for Amazon—one that tries to disprove its conception of you with random genre suggestions—is simple and (more importantly) practical, since it would actually give the company a more accurate and dynamic picture of who you are. Other suggestions, like “a slider bar running from ‘only stuff I like’ to ‘stuff other people like that I’ll probably hate’” (235), are less likely to occur but noble suggestions nonetheless. His general approach to thinking about personal information “as a form of property” (240), instead of merely sacrificing it for a little convenience, is a positive step in the right direction. Pariser’s Filter Bubble moves us toward balancing the current asymmetries of knowledge, data, and therefore power.


Pariser's TED talk on the subject can be found here: http://www.ted.com/talks/eli_pariser_beware_online_filter_bubbles.html

[1] Well, all of us in the First World. But the way things are moving, the problems of the filter bubble are flowing into Third World societies as our technology does. Moreover, sites like Facebook and Google are global in scale.

Saturday, September 21, 2013

World War Z


A few years ago I heard someone say that America's current obsession with zombie mythology would eventually culminate (before its inevitable decline) with Pitt's World War Z. Turns out he was right.

Many interesting things about this movie. I like that it is a "serious" zombie movie that isn't afraid to throw around the word "zombie". I like that it wasted approximately 7 seconds before throwing Brad Pitt into the fray. I like that it was a political but not heavy handed. And I liked the ending—not bleak, but not Hollywood.

I appreciated the surprise action catalysts (in a zombie film, these are usually loud noises that draw the undead whilst the heroes are sneaking around) like Gerry's wife calling him on the phone I forgot he had, or citizens of Jerusalem rejoicing. However, there were typical predictable ones as well. How many times in a single mission can the same person "accidentally" kick a can, step on a glass bottle, and smack a filing cabinet with their crowbar? C'mon Welsh scientist.

Rating: 4 out of 6 zombies


Friday, September 20, 2013

Proposing a Return to Analog


I usually read a lot every day, so at night I need to read something completely unrelated to help me fall asleep. It needs to be theoretically interesting but packed with so much unnecessary detail so as to put me to sleep. Dyson's tale of the simultaneous rise of atomic weaponry and digital computation does just that. He spends a lot of time on the complete genealogical backstory of every person who had anything to do with computers, so if that is your thing, this book is incredible.

Friday, August 2, 2013

Actual Drinking Buddies


What feels normal at first, starts to feel slow halfway through as you wonder when the "action" is going to happen, then near the end you realize that it has been happening all along. Good writing, good acting, great directing, and it didn't end how I thought it would. Delightful!

Rating:
4 out of 5 pints


Friday, June 28, 2013

Present Shock

Present Shock: When Everything Happens Now by Douglas Rushkoff is sort of like Keen's Digital Vertigo, but a bit less disjointed. Rushkoff describes what he calls a "presentist" culture where everything is about the now. We have confused "flow" with "storage", kairos time with chronos time, and our current anemic state is the failure to reconcile two fundamentally different levels of identity: digital, where we are spending most of our (mental) time, and analog, where we still live and must return to inevitably. We are addicted to possibility and stimulation as the digital realm provides it for us. Also, Rushkoff's media ecologist tendencies sporadically flare up.

Thursday, June 27, 2013

Man of FEEL

Saw Man Of Steel last night. Really enjoyed it. Gritty and re-boot-ish enough but still fun and campy in just the right places. With the exception of the random military woman saying Superman is "kind of hot" near the end of the movie, I was happy with my decision to suspend disbelief and enter its world. The Krypton technology, visual effects, awesome use of sound, etc. everything was great and sucked me right in. Even the story (specifically, the father/son relationships and self-control/fate issues) got me. I was on the verge of tears like 8 times. Despite our pre-movie debate where she claimed to prefer DC comics to Marvel, Vicky was not impressed with Man Of Steel.

I will make her watch the most recent Green Lantern and DareDevil movies until she repents.




Rating:
1/1 Seinfeld montages set to Superman music


Wednesday, May 29, 2013

Side Effects may include


Steven Soderbergh's latest film Side Effects had me hooked from the long, opening tracking shot that panned from a zoomed-out city shot, graaaaadually, over to a zoomed-in shot of a single apartment. So in the span of the first minute or so, you already have the feeling of a single, lonely individual somehow stuck in the cold, mechanical structure of society. 

That kind of thoughtfulness is rampant in this movie. Then, halfway though, the movie jumps genres. Everyone in our living room watching the movie let out a collective "Whaaaaaaattttttt?!??!?!" Great commentary on our proclivity to prescribe and the power of scorn/greed.
You should probably see it.

Rating: 4 1/2 out of 5  pills.

Storytelling Animals


Jonathan Gottschall's The Storytelling Animal has been my pleasure reading for the past week. If I wasn't in my final two weeks of Seminary I would probably write more, but I'll just say that this book was really engaging. I blitzed through it. Gottschall explores how and why human beings are addicted to fiction... so much so that we even create it in our sleep! The notion of story serves no apparent purpose, yet it has defined/motivated/explained human activity for millennia.

Wednesday, May 8, 2013

His name is Mud

Saw Mud last night.. The poster (and even the trailer, to some extent) are misleading. It is not a tough-guy tale of Matthew McConaughey fighting for the love of his life, Reese Witherspoon. Well, it is, but only sort of. Really, it is a great coming-of-age-type story about a 14-year old boy, his best friend, and their adventures that teach them much about manhood, sex, love, hope, trust, and snakes. Those damn snakes. The two best "reviews" so far, that I have heard, came from my wife and friend right after we left the theater.

Luke: "I feel like it was a really good movie.... but I can't say exactly why...."

then 10 minutes later, walking home

Vicky: "I was constantly surprised! I never knew what was going to happen next!"

This is an impressive feat for a film that is over 2 hours and really takes its time divulging information. And yes, McConaughey's shirt does come off, but this is an "indie" film, so they make you wait 110 minutes for it.





Rating: 4 out of 5 snakes

Thursday, February 28, 2013

Cosmopolis



What a beautiful movie. The dialogue and cinematography make for a hypnotic combination. The characters speak as though they are members of two societies—one that you want to live in, and one that you are afraid you already do. This movie is not necessarily accessible, but is poses funny and fascinating questions about wealth, technology, politics, time, power, and more. Pattinson is great.

Also, I never thought I would watch the hunky vampire from Twilight get a rectal exam in a limousine while lecturing an employee on her financial and sexual acumen.

Monday, February 4, 2013

Grace and Law, Sing Along!


Everybody started freaking out about Les Miserables, and I didn't get it. When Hathaway and Jackman started winning awards for the their performance in it, I didn't get it. Then I saw the movie.
Now I get it.


I mean, good God, just look at this image...

...and try not to get emotional.

I was never big on musicals (though I'll never forget the first DVD I ever purchased), but damn, Victor Hugo knew what he was doing. The treatment of Grace is incredible: Javer was a formidable villain, a powerful picture of the attraction and ultimate futility of the Law, and Russell Crowe was not nearly as poor a singer as I was led to believe.

I think everyone on earth can relate, in some degree, to Jean Valjean's struggle for redemption that lasts a lifetime. Are we ever free from our sketchy past? How many good deeds are required to absolve ourselves? I mean, if I told you this guy could sing like an angel possessed, you would laugh, right?

Monday, January 14, 2013

Agony & Ecstasy


For Cinema, Arts, & Theology class we are exploring the life and work of various artists in reality and on film. In The Agony And The Ecstasy Charlton Heston plays a somewhat petulant Michelangelo, squaring off against Pope Julius II (Rex Harrison). Their relationship is actually quite touching. For some reason I found myself more empathetic towards the Pope. I know, I know, tortured artists must be anti-social, defiant, self-absorbed, etc. Interesting themes of calling vs. burden, ego vs. humility, and, well, love. Why do we subject ourselves to an emotion that exposes us to such lows and highs, such agony and ecstasy?

Friday, January 11, 2013

Looper


I was skeptical about seeing Looper. I thought a man literally battling his future self would be foolish. I was wrong.

It possesses many strengths and advantages inherent in the genre of Science Fiction (exploration of the obtuse, cool future gadgets, etc.) but none of its weaknesses (mercurial pacing, flat acting, etc.). The questions it raises about destiny, love, and what is worth living (or dying) for are rather profound. I want and love completely different things than I did even 5 years ago; I can't imagine 25 more.

Also, there were no less than three moments in the film that had me leaning forward, about to fall out of my chair, doing the Home Alone style face, complete with my palms on my cheeks. Very unpredictable and engaging!

Sunday, August 26, 2012

From Angels to Aliens!







            In From Angels To Aliens Lynn Schofield Clark explores the resurgence of interest in the supernatural among teenagers. She theorizes this is happening, at least in part, as a result of the legacy and suffusion of evangelical Christianity in American culture. A generation ago, religious identity was something one was born into; increasingly it is becoming something we chose for ourselves, selected from various narratives presented in media and religion. (bricolage?) People are less religious but more “spiritual”. This means that while people (especially youth) are dissatisfied, confused, or disappointed with the job science and religion have done providing ultimate answers for life, they remain open to the notion that there may be more to our world than meets the eye.
            In their quest to form a religious identity, people develop certain strategies. Culture, as Clark defines it, is the store of public symbols and stories that flesh out and reinforce these strategies of how things should be done, making them seem sensible and even meaningful (10). Film and television offer satisfaction because they symbolically resolve conflicts that are troubling to our society. Although teenagers may develop their taste in media based on what fits their “style”, their exposure to various ideologies is one of the ways they gather materials from which they construct identities. Identity is a result of both parenting and exposure to cultural products.
            Within evangelicalism there has been a tendency to draw lines in the sand: us vs. them, sacred vs. secular, holy vs. demonic, etc. In what was initially an attempt to convert people to Christianity (“repent or burn!”), evangelicals ended up simply encouraging Americans to accept the notion of cosmic, incomprehensible forces at work in (or responsible for) our visible world. Thus, today popular teen culture is rife with elements of the supernatural—vampires, aliens, demons (does The Hunger Games dystopian future count?) etc. Horror stories, especially those with supernatural elements, “allow young people to experience and relieve fears about death, the afterlife, and in general, the forces in life that they believe are beyond their control—which includes quite a bit, from the teen perspective” (64). Since the Divine can be somewhat ineffable, we occasionally explore it through its negation.
            Clark then roughly categorizes her research subjects (interviews with teens and their families) as having one of five various approaches. They refer to teenagers’ feelings on supernatural and organized religion, and range from loving one while hating the other to the other way around. Science and religion are not necessarily at odds with each other, as they might have been a few decades ago. The line between them ranges from non-existent to blurry to firm, depending on the teen’s family history (were they raised in a religious household?), parenting style (do they limit media exposure?), socioeconomic status (how marginalized to they feel?), etc. The group in the middle seems the most normative or typical: seekers, or “customizers” are individuals who actively select from various sources to make sense of their worlds and to meaningfully participate in them (118). Some teens desire to distinguish between religion and myth but have trouble doing so.
            Teenagers’ wide range of perspectives on the supernatural is reflected in the ways their parents raise them. Some parents see religion as harmful; some see it as providing a good moral foundation. Media is approached in much the same way—some let their kids be exposed to everything available in to help them make “informed” decisions; some carefully filter the media their teens consume. Clark states that the purpose of her book is not to celebrate some semiotic democracy where infinite meaning can be constructed from a number of media texts, but to demonstrate that “the choices teens have are limited…and were influenced by their positions and their perceived relation to culture and its resources” (231). Popular culture is neither completely toxic or redemptive; the goal is simply to encourage teens (and everyone) to think and discuss the ways in which they process the media they encounter, since it is frequently easier to discuss media than personal life experiences.  


Clark, L. S. (2003). From angels to aliens: Teenagers, the media, and the supernatural. Oxford: Oxford University Press.

Communication as Culture




In James Carey’s Communication as Culture (1989) he presents a new way of thinking about communication. Carey challenges established perspectives, where communication is viewed merely as transmission of information, and promotes studying communication from a cultural perspective. He draws upon the work of previous scholars (Clifford Geertz , John Dewey, Max Weber, Walter Lippmann, etc.) to apply a cultural studies methodology to the study of communication. Carey seeks to “demonstrate how media of communication are not merely instruments of will and purpose but definite forms of life: organisms, so to say, that reproduce in miniature the contradictions in our thought, action, and social relations.” (9)
            Carey suggests two ways of viewing communication. The transmission view (the more common of the two) uses terms like “imparting”, “sending”, and “transmitting” to convey one party giving information to another. It involves “the transmission of signals or messages over distance for the purpose of control.” (15) This view connotes the desire for control and power as it is derived from the spread of Europeans in their global colonization, and although technology and science have separated communication from transportation, some of the residual implications remain.
            Carey opposes this with the ritual view, which uses terms like “sharing”, “participation”, and “association”. This view is “directed not toward the extension of messages in space but toward the maintenance of society in time; not the act of imparting information but the representation of shared beliefs.” (18) Like the transmission view, the ritual view has grown away from its religious origins but still retains some of its metaphoric roots. There is an intellectual aversion to this view because of the unfortunate assumption that science somehow operates in a vacuum whereas culture is full of human error. Thus any method that studies the activity of people within a culture must be flawed. So for example, a transmission view of a newspaper would see it as a medium for disseminating disinformation to exert control over a population; a ritual view would see reading the newspaper as a shared experience by people in which their worldviews are collectively shaped and confirmed.
            Particularly in America, communication studies (both mass and interpersonal) “have aimed at stating the precise psychological and sociological conditions under which attitudes are changed, formed, or reinforced and behavior stabilized or redirected.” (44) American studies of communication have not given serious consideration to the relation of forms of expression (art, religion, etc.) and social order—how do meaningful symbols, and symbolic acts, affect real change?
            Cary suggests conceiving of communications as a cultural science as that will constitute a more “human” model and deal with experience as it normally is encountered. Culture is complex web of meaning which humanity has created, and “we are challenged to grasp the meanings people build into their words and behavior and to make these meanings, these claims about life and experience, explicit and articulate so that we might fairly judge them.” (59) People exist simultaneously in many different sub-cultures and a cultural approach to communication studies offers us helpful insights that traditional (transmission) views do not. “Culture” and “Communication” are not neatly delineated, finite artifacts or practices. A ritual view allows for a more nuanced understanding of human societies where the complexities of culture (and the influential, dynamic activities and forms of communication) are accounted for. Carey desires to “press forward with a form of cultural studies that does not perforce reduce culture to ideology, social conflict to class conflict, consent to compliance, action to reproduction, or communication to coercion.” (109)
            The second half of Carey’s book explores more specific facets of technology and culture. He wants to debunk the rhetoric of an electronic utopia. “Electronics is neither the arrival of apocalypse nor the dispensation of grace. Technology is technology; it is a means for communication and transportation over space, and nothing more.” (140)[1] Carey offers a brief history of communication studies in North America and traces the relation between time and space from local to global. He also traces the history of the notion of “future” as it has been used to propel us along with false promises of newer, better forms of human communication and the eradication social issues altogether. Carey concludes with a detailed look at the oft-neglected technological importance of the telegraph, the advent of which marked the first time in history that information and transportation were separated. Most of the attention Carey’s Communication as Culture has received has been paid to its first half. The ideas he lays out, although fairly simple, are a radical break from the way communication has traditionally been studied.


[1] It is perhaps here that Carey’s ideas seem somewhat dated; he was clearly writing in a pre-internet era.

Saturday, August 25, 2012

We are what we like (fandom as identity)





In Fandom: Identities and Communities in a Mediated World, Jonathan Gray, Cornel Sandvoss, and C. Lee Harrington have edited a collection of essays that explore how fans make use of their chosen texts and justify why this exploration is valuable.
            The editors give a brief overview of “fan scholarship”. Its first iteration took inspiration from de Certeau’s notion of bricolage, where fans make use of mass-mediated narratives in subversive ways. John Fiske and Henry Jenkins describe how fandom was “a collective strategy, a communal effort to form interpretive communities that in their subcultural cohesion evaded the preferred and intended meanings of the power bloc”.
            Public recognition and understanding of fandom has profoundly changed over the past several decades. Moving from broadcasting to narrowcasting, fans are no longer ridiculed but courted as advertisers and producers compete for their dollars and eyes. People now communicate (their identities, worldviews, etc.) through their fandoms.
            The second wave of work on fan audiences focused on the replication of social and cultural hierarchies with fan subcultures. Rather than see fandom as a means for empowerment, the taste hierarchies among the fans themselves emulate the wider social inequalities. Fans essentially maintain social and cultural systems of classification. “Blackberries, iPods, PSPs, laptops, PDAs, and cell phones all bring fan objects out with their users to the subway, the street, and even the classroom. These changing communication technologies and media texts contribute to and reflect the increasing entrenchment of fan consumption in the structure of our everyday life.”
            The third wave of fan studies offers new answers to the question of what they are for. Fandom itself is not an object of study, but part of the fabric of our everyday lives, and can provide insights into our daily existence. The study of fans can help us understand how we relate to others, meet challenges, identify our place in the world, and how we read the mediated texts that facilitate all of the above.
This third wave is broken into six themes: emphasis on the symbolic and representations that mark contemporary mediated worlds, the dissolution of boundaries between different textual forms (high & pop culture), changing relationship between physical and virtual space, interplay between global and local in globalization, new identities arising out of the transformation of production and consumption in light of social and technological change, and the formation of conflict in mediated discourses (fan-tagonism).
            Cornel Sandvoss notes that synthesizing fan studies with reception aesthetics enables us to explore aesthetics, a field sometimes ignored by critics, as a subjective category with objective criteria. Matt Hills advocates the generalized hybridity of contemporary media academics (academics who are also fans of what they write about) as helpful in avoiding the fallacy that scholars are objective, bias-free bringers of free thought. Rebecca Tushnet discusses the difficult notion of copyright law within the transformative fair-use doctrine. Technology gives fans greater creative control and re-mix capabilities, and there can be semiotic dissonance between what an author (profession or amateur) intends to produce and what others think the author has produced. Alan McKee argues that fans of theory are no different than fans of other cultural phenomena. Similar to Hills’ contention, he advocates fan studies as a way of opening up the methodologies of analysis. We all bring something to the table (as a “fan” of some bias, approach, ideology, perspective, text, or trend) and fan studies bring this out into the open. There are quite a few other essays here, but these are the ones that interested me. Henry Jenkins also does the epilogue and sums up the increasing salience of fan culture.


Gray, J., Sandvoss, C., & Harrington, C. L. (2007). Fandom: Identities and communities in a mediated world. New York: New York University Press.

Thursday, August 23, 2012

Honor, Patronage, Kinship & Purity




          In Honor, Patronage, Kinship & Purity (2000) David A. deSilva gives us a look at first-century cultural values and explains how understanding them will allow for a greater understanding of the world which produced the New Testament. To hear and understand scripture correctly, one must correctly understand the world in which it was written. DeSilva’s goal, as he puts it, “is to introduce the reader to another dimension of the context within which the New Testament texts were composed and within which they effected the purposes of God for their readers” (19). When we are better readers of scripture, we are better disciples, and can actively influence the communities into which God has called to live.
            The text is divided neatly into the four titular categories: honor and shame, patronage and reciprocity, kinship, and purity and pollution. For each cultural value there are two chapters: one chapter expounding on its role in the Greco-Roman world of the 1st century, and a subsequent chapter integrating that exposition with our understanding of the New Testament. This book posits an enlightening set of ideas into discussions on contextualization, historicity of scripture, and even basic New Testament hermeneutics by situating the bible firmly in its 1st century Mediterranean culture. DeSilva’s text would appeal to Biblical scholars and curious Christians alike.
            DeSilva begins with honor and shame. The notion of honor was one of the foundational values for the first century world. Their world was “every bit as socially sophisticated as ours and, in some ways, far clearer and more articulate about the values that defined and guided each group” (27). A person had honor based on the family into which they were born, but honor could also be achieved through virtuous dealings and building an estimable reputation (like a solider who demonstrates extreme bravery and loyalty). The quest for honor kept all members of a group in check. If one deviated from the honorable path, that person would bring shame upon themselves and the group(s) with which they were affiliated. While the Jews were once the dominant group, they had for generations been subject to the laws of other groups and struggled to maintain their identity. This meant a Jew decide between Torah adherence, which gained them honor within their Jewish circles (but contempt from everyone else), or acquiescing to the dominant cultural values and the consequent shame from their own kind. The early Christians, like their Jewish peers, promoted cultural values that were fundamentally at odds with those of the dominant Greco-Roman culture (like ultimate loyalty to God instead of Caesar). Christians experienced everything from shunning to execution as resistance in their commitment to Christ, and so neighbors and friends attempted to dissuade them from their path. New Testament writers frequently encouraged their audience to remember that God’s ultimate code of honor and shame was more important than the temporary, worldly one. While Christians today are certainly familiar with the notion of earning a certain group’s approval, we are generally uncomfortable with conflict and shame, and so avoid discussing or rebuking it in others. However, if we can become more sensitive to the cultural text of honor and realize what a core cultural value it was for New Testament audiences, we will become attuned to clearly hearing what the New Testament has to tell us about our own personal value (self-respect and validation) and what gives us our worth (86).
            The next value deSilva deals with is patronage and reciprocity. The first-century Greco-Roman world was one “in which personal patronage was an essential means of acquiring access to goods, protection or opportunities for employment and advancement” (96). Patronage was not only allowed but promoted, and it is tied to honor in the sense that the honorable thing to do was remain loyal in one’s relationships. Patronage even crossed socioeconomic boundaries; the term “grace” (for New Testament audiences) would have had connotations of reciprocity among the rich, poor, and even among humans and gods. Grace meant showing favor that was selflessly interested in the benefit of another. It was not mandated to repay someone; the cultural shame of failing to reciprocate grace or favor was enough. Grace was like a dance in which honor or favor was freely given to a client, patron, or friend, and was freely repaid in kind. The New Testament authors reframed this discussion in terms of God being the ultimate benefactor for us. He[1] seeks us out to give us life; this formation of a grace relationship “runs contrary to the normal stream of lower-echelon people seeking out brokers who can connect them with higher patrons” (130). As the ultimate mediator of God’s favor, Jesus voluntarily gave his own life to grant deliverance from sin and death. Not only that, but Christ continues to intercede on our behalf before the Father. In the face of such incredible grace, our only response must be more grace, in the form of the words we speak and actions we live out. This attitude rightfully re-orients our worldly pursuits around those that bring honor not to ourselves, but to God. Failure to promote the kingdom of God, who is our supreme benefactor, results in disloyalty to the one we should only please (156).
            Kinship was vital to first century life. One’s identity, like their honor, was tied to the reputation of their lineage. Jewish culture placed even more value on one’s parents and family. Harmonious living with one’s family involved cooperation in maintaining their honor, hiding the shame of kin, and mutual trust in the pursuit of honor and preserving the family lineage and reputation. Divorce brought complications, but in general the man had dominion over the woman, who was expected to stay at home to raise and educate the children to carry on their family’s trade. With family ties so strong, it becomes more radical to think of how many disciples left their families to follow Jesus. “It is now attachment to this Jesus that determines whether or not a person is in the family, rather than the person’s bloodline or natural lineage” (200). Christ redefined the “descendents” of Abraham to allow for anyone to be adopted into the new family of God. As members of God’s household, we are now bound to its code of honor and values. As the church, we have a great opportunity to re-imagine what it means to treat each other as those joined by the blood of the Lamb.
            Purity is something of a foreign notion for modern evangelicals. We have made a holy God available to everyone and have done away with the need for professional mediation. However, we do understand what when food falls from a plate to the ground (or dirt is brought inside the house) that an unhealthy boundary has been crossed and contamination has occurred. This contamination disqualifies us from entering in to the presence of a holy God. To avoid pollution and boundary crossing, maps of people (and their bodies), locations, and times must be made known, and sacrificial systems developed to atone for a transgression of the sacred. “Only as we come to appreciate the revulsion of sin (and feel revulsion ourselves) will Scripture have done its work building the all-important barrier between our desires and forbidden things…” (269) Jesus essentially re-wrote the maps of who, what, where, and when was permissible. Ritual moments are important for helping us remember boundaries and retain holiness.
            I found deSilva’s text to be enormously informative. We have grown accustomed to reading, understanding, and applying scripture within our own contemporary cultural context; it is incredible how rarely we stop to think about what, say, Paul’s letter to the Ephesians might have sounded like to the Ephesians themselves. DeSilva’s methodology is effective. By breaking down cultural values into four manageable, finite (though dynamic) concepts, it becomes possible to isolate specific intersections and applications of concrete first century ideals with New Testament passages.  This results in a richer understanding and appreciation for the New Testament, the world into which its texts were written, and even possible implications for discipleship in today’s world.
            This is particularly relevant for churches that are trying to live out the Gospel amidst a generation of people whose identities are fragmented, individualistic, and dynamic. How can someone who lives alone understand the value of kin? How can a kid who sees people get famous for whoring themselves out possibly understand the value of honor? As deSilva notes:
Studies of Generation X have shown relationship to be the way of reaching those born into a postmodern worldview, the way to show the reality of our faith. A church can no longer afford to be mainly a group of people who agree on propositional truths…but must become a group of people committed to one another in love, loyalty, and mutual support (239).

We live in a culture that celebrates the “now”[2] and the “me”[3]. When we read the New Testament we cannot help but bring these presuppositions with us to the text. DeSilva is trying to help us understand what the New Testament might have actually sounded like to those it was originally intended for; this will help us be more self-aware of our baggage and at least attempt to come to the text without an agenda, willing to be shaped by it.
            Discussing the established cultural norm is a great way to understand how powerful Jesus’ words and deeds actually were. For example, understanding how powerful individual and group honor was in the first century sheds light on the constant New Testament reminders to hold one another accountable in discipleship of Christ (82). Also, understanding that violation of purity required a three-phase ritual process of restoration in some groups underscores the radical dynamics implied in statements like “everything is now permissible” or when Peter had a vision that all food was now acceptable (266). Modern readers typically gloss over pollution mandates, but deSilva shows how this would have meant a complete break of traditional ways of living for first century readers!
            I found this text to be a quick and engaging read. It reminds us that we have systematized our theology based on a few letters of advice and encouragement written to real people two thousand years ago. Only once we understand their world can we understood how it would have shaped their reading of the letters and documents that became our New Testament. By attempting to understand the original context of the New Testament, we can become more adept in living it out (as disciples of Jesus) in our own.

DeSilva, D. A. (2000). Honor, patronage, kinship & purity: Unlocking New Testament culture. Downers Grove, Ill: InterVarsity Press.


[1] Obviously God is beyond gender but Jesus referred to him as “Father” so I’ll just use masculine pronouns for now.
[2] Pepsi-cola currently has billboards that say “Live For Now!”
[3] Apple has changed the face of personal electronics with a line of products that have “I” in the title.